Well, here I am almost two weeks without a blog post. I guess that's what happens when you decide to go entirely handmade for the Holidays. Instead of posting photographs of all the wonderful handmade items, I would like to highlight a volunteer project I worked on this Holiday season.
As co-directors of Guildess, a Contemporary Female Artist Guild, Ashley Gustafson and I wanted to develop a simple project to extend a helping hand this time of year. Our dreams of the Holidays have never been without family, food and gifts, but for some they lack all three. As a way to remain true to our artistic background, we developed a project that involved artists from our local community. We sent out a call for artists to create handmade Holiday greeting cards and mail them to us. Our goal was to hand these out a local soup kitchen or shelter with a batch of warm cookies. After a few phone calls, we found ourselves setting up a date and time to visit Daystar, a local transitional shelter program for formerly battered women. Daystar provides shelter and support services to survivors of domestic abuse that allows them to regain their confidence and self-esteem and to break the chain of violence in the lives. Daystar also provides women with the tools to become financially stable and emotionally independent.
Upon hearing of an art room at the shelter, we decided it would be great to organize a card making workshop for the women of Daystar to make their own Holiday cards for family and friends.
Tuesday, December 28, 2010
Wednesday, December 15, 2010
All I want for Christmas...
Everything always happens at once.. extra hours at work, freelance work-both photography and knitting, gifts to make, and Guildess work to get done! I've been coming home too exhausted to open my computer and unwilling to cook myself dinner. Sometimes I could kick myself for taking on too many things, but then I remember how miserable I am when I have nothing going on.
To avoid tackling more work after 8 hours of work, I scanned in a roll of film. Unfortunately, only one picture turned out, which confirmed that something is definitely wrong with my camera. My diagnosis-shutter release is sticking and not reading my settings. Would Santa please fix my camera?
To avoid tackling more work after 8 hours of work, I scanned in a roll of film. Unfortunately, only one picture turned out, which confirmed that something is definitely wrong with my camera. My diagnosis-shutter release is sticking and not reading my settings. Would Santa please fix my camera?
Saturday, December 11, 2010
Kristmas Kitsch at The Jazz Gallery!
Today, from 12-5pm, celebrate the season of giving at The Jazz Gallery. The Riverwest Artists Association will hold an opening celebration with festive hors d’ oeuvres and cider. Enjoy an eccentric installation by RAA members and artist-made giftables to stuff your stockings.
Bring food and clothing donations for the Riverwest Food Pantry and mNSC to help keep our community warm this winter. And have fun creating an artful shopping bag to benefit our neighborhood through the Outpost’s Buy a Bag program.
Bring food and clothing donations for the Riverwest Food Pantry and mNSC to help keep our community warm this winter. And have fun creating an artful shopping bag to benefit our neighborhood through the Outpost’s Buy a Bag program.
Wednesday, December 8, 2010
Fine Line Magazine
At HoverCraft this weekend, I got a chance to check out the first issue of Fine Line Magazine, a quarterly publication edited and produced by Jessica Steeber and Cassandra Smith (the ladies of the Armoury Gallery). The best part about it, besides the art of course, was the complete lack of advertisements and reviews! It's refreshing to page through a publication and just see art.
"Fine Line presents only images and text - ideas without definition, questions without answers. It is curated for the viewer's consideration and becomes a tangible guide to a thought, moment or expression. Somewhat like a deep breath, a pause in the daily go, Fine Line Magazine creates a space to stop and consider the moments that make up our lives." - Fine Line website
For the ladies of Fine Line, it is apparent that their ability to curate a physical gallery space translates beautifully to a two-dimensional gallery on paper. Among the list of artists featured in Issues #1, two of the artists grew up locally and the rest are from a variety of regions and countries. Check out their website for a full list of featured artists. Individual issue purchases as well as full subscriptions are available.
"Fine Line presents only images and text - ideas without definition, questions without answers. It is curated for the viewer's consideration and becomes a tangible guide to a thought, moment or expression. Somewhat like a deep breath, a pause in the daily go, Fine Line Magazine creates a space to stop and consider the moments that make up our lives." - Fine Line website
For the ladies of Fine Line, it is apparent that their ability to curate a physical gallery space translates beautifully to a two-dimensional gallery on paper. Among the list of artists featured in Issues #1, two of the artists grew up locally and the rest are from a variety of regions and countries. Check out their website for a full list of featured artists. Individual issue purchases as well as full subscriptions are available.
Labels:
Cassandra Smith,
Fine Line Magazine,
Jessica Steeber
Monday, December 6, 2010
Learning science with art and art with science!
A friend of mine recently brought BigShot to my attention. BigShot is an educational camera designed for kids. It pairs the mediums of science and technology to function as a learning tool as well as a creative tool. First, students learn how a camera works by actually putting the camera together. Then, they learn about the variety of photographic mediums photographers use by using each with the Bigshot rotating lens.
Pairing art with other subjects has always been an interest of mine, but now its becoming more and more crucial since art is being eliminated from so many schools. In the school I work at, we are instructed to combine math and reading concepts with our daily activities because test scores in those areas are so low. Thus, I have been researching how to add math and reading concepts to art. This demonstrates the power art can have not only as a creative tool for expression, but also as a vehicle for learning. Although BigShot is still in the prototype phase I see it a valuable tool for teaching artists. Check out their website for more information and educational resources: BigShot
Images courtesy of BigShot website |
Pairing art with other subjects has always been an interest of mine, but now its becoming more and more crucial since art is being eliminated from so many schools. In the school I work at, we are instructed to combine math and reading concepts with our daily activities because test scores in those areas are so low. Thus, I have been researching how to add math and reading concepts to art. This demonstrates the power art can have not only as a creative tool for expression, but also as a vehicle for learning. Although BigShot is still in the prototype phase I see it a valuable tool for teaching artists. Check out their website for more information and educational resources: BigShot
Friday, December 3, 2010
Handmade for the Holidays!
Every year I tell myself I will make handmade gifts for my friends and family. Then, somehow it ends up being the week of Christmas and I still haven't finalized who should get what (and by then I've probably made a million lists of what to do for who). BUT this year will be different and if I run out of time to make things, I will purchase handmade items from my friends.
Here is a list of a few quality handmade items to make and give people during the holidays:
Ashley Gustafson makes beautiful Japanese bound journals and catnip fortune cookies (pictured above). I will be purchasing a package of catnip fortune cookies for one of my cat lover friends.
Here is a list of a few quality handmade items to make and give people during the holidays:
- lip balm
- chocolate truffles
- anything knit - scarves, neckerchief, hand/arm warmers, winter headband
- birdseed tree ornaments
Image courtesy of Bargain Hoot |
Image courtesy of Cornflower Blue Studio |
Image courtesy of Handmade Oddities |
Ashley Gustafson makes beautiful Japanese bound journals and catnip fortune cookies (pictured above). I will be purchasing a package of catnip fortune cookies for one of my cat lover friends.
Labels:
Bargain Hoot,
Cornflower Blue Studio,
DIY,
Handmade Oddities
Wednesday, December 1, 2010
character and beauty
These are a few examples of the portraits my 4th and 5th grade girls of the Joseph J. Zilber Boys & Girls Club are working on. For some reason, I have always been drawn to portraits created by children. Unlike subject matters such as landscapes and still life's, portrait inaccuracies are forgivable. Often times, the "mistakes" are what give a portrait its character and beauty. A professor once told me to never be afraid of showing imperfections. If done in the right way, it can be very effective.
Despite my thoughts on imperfections, I still feel obligated to teach children the way my art teachers taught me. I started the lesson with a brief explanation of proportions and how to make use of the entire sheet of paper.
A few of the portraits will be submitted to the Boys & Girls Clubs National Fine Art Show, which I organized last year with Ashley Gustafson.
Monday, November 29, 2010
One week from yesterday: HoverCraft!
One week from yesterday, Laura Gorzek and I will debut our current venture, The Living Photo Booth Project! We will pack up our suitcases and head over to the Bay View Brew Haus for HoverCraft, an event that combines crafts, bands & local businesses to showcase the rad people that make Milwaukee.
HoverCraft
HoverCraft
When: Sunday, December 5th.
Location: Bay View Brew Haus
Crafting Time: 12 - 6
Music Time: 8- Midnight
Friday, November 26, 2010
Milwaukee's newest artist collaborative studio space
This past Saturday I spent my evening with Sean Bodley at Studio 420b, Milwaukee's newest artist collaborative studio space. In addition to Sean, artists Lindsay Marx, Fred Kames, Mark David Gray, and Asher Gray call Studio 420b their creative space.
The idea of a collaborative studio space has always intrigued me, but I never pictured such a large collaborative space. Immediately, I asked Sean how he felt about sharing a studio with a bunch of other artists. He answered, "The main reason I enjoy it is because I always have someone around to give feedback and critique my work. Its nice having that after graduation."
Among the plethora of paintings, I still managed to find the few photographs that call Studio 420b home.
Located just south of the 3rd Ward, in the 5th Ward, Studio 420b is a great place to stop during Gallery Night and Day. Having the chance to check out an artist's studio is a real treat, especially when they display in progress work. Being inside a space of pure creativity makes me feel energized, excited and inspired to create.
Sean Bodley's studio space |
Located just south of the 3rd Ward, in the 5th Ward, Studio 420b is a great place to stop during Gallery Night and Day. Having the chance to check out an artist's studio is a real treat, especially when they display in progress work. Being inside a space of pure creativity makes me feel energized, excited and inspired to create.
Labels:
Asher Gray,
Fred Kames,
Lindsay Marx,
Mark David Gray,
Sean Bodley,
Studio 420b
Saturday, November 20, 2010
From drab to fab!
Amidst my recent internet explorations I discovered an industrial design artist that struck my fancy. Patricia Weusten, of The Netherlands, designed an interactive 3D coloring book, which requires children's imagination and creativity to function properly.
"City in a Box is a series of three toy boxes with each its own theme. The themes are three of the worlds capital cities New York, London and Paris. When the City in a Box is opened it can be unfolded into a play city with the city’s most famous buildings, monuments and streets. It also includes play elements for children. When done playing the city can be folded back into a box for easy storage. City in a Box and all it’s accessories are made of cardboard which make it cheap and easily disposable." - Patricia's website
City in a Box invites children to color or paint the city in order to rid it of its drab cardboard box color and transform it into their own city. This has inspired me to develop an "Our City" project that I will implement in the upcoming weeks with the kids I work with.
"City in a Box is a series of three toy boxes with each its own theme. The themes are three of the worlds capital cities New York, London and Paris. When the City in a Box is opened it can be unfolded into a play city with the city’s most famous buildings, monuments and streets. It also includes play elements for children. When done playing the city can be folded back into a box for easy storage. City in a Box and all it’s accessories are made of cardboard which make it cheap and easily disposable." - Patricia's website
City in a Box invites children to color or paint the city in order to rid it of its drab cardboard box color and transform it into their own city. This has inspired me to develop an "Our City" project that I will implement in the upcoming weeks with the kids I work with.
Thursday, November 18, 2010
unpredictable moments
Sometimes I don't know why I photograph the things I do. I can never predict when something will hit my eye in just the right way.
2010
Tuesday, November 16, 2010
Sneak peak!
While running a few errands today, I decided to stop by the UW-Milwaukee Union Art Gallery and check out their current show. Unfortunately, they were in the process of installing a new show, but a friend of mine, Sean Bodley, works there so I got a sneak peak of the upcoming exhibition. Venerate: Collectors of the Human Condition features two-dimensional drawings and paintings as well as three-dimensional sculptures from found items, this exhibition of mixed-media work by Loren Schwerd and Marco Zamora looks to collections of memory and nostalgia.
The work of Loren Schwerd immediately caught my attention. She uses human hair extensions found outside of St. Claude Beauty Supply in New Orleans after Hurricane Katrina in her commemorative sculpture work.
Check out Loren Schwerd's work in Venerate: Collectors of the Human Condition between November 18 and December 17, 2010. The opening reception will take place this Thursday, November 18th from 5-7pm. She will give a gallery talk on Thursday, December 2nd at 7pm!
The work of Loren Schwerd immediately caught my attention. She uses human hair extensions found outside of St. Claude Beauty Supply in New Orleans after Hurricane Katrina in her commemorative sculpture work.
Check out Loren Schwerd's work in Venerate: Collectors of the Human Condition between November 18 and December 17, 2010. The opening reception will take place this Thursday, November 18th from 5-7pm. She will give a gallery talk on Thursday, December 2nd at 7pm!
Monday, November 15, 2010
The Living Photo Booth Project
I spent the better part of my day creating props for The Living Photo Booth Project with Laura Gorzek.
For those of you who do not know, The Living Photo Booth Project was Founded in 2010 by Laura Gorzek and myself, with the hopes of providing a live photo booth experience from start to finish. The Living Photo Booth Project is a great addition to any type of party, gathering or event. Give us a theme and we will show up with an appropriate backdrop and box of costumes, take fun photos of you and your guests, and print a take home photographic token on the spot for a small monetary cost.
Keeping the physical world in touch, our mission is to remind the public of the joy of interacting with one another and holding onto a printed photograph in this digital and disconnected world.
You can catch The Living Photo Booth Project at HoverCraft MKE on December 5 at the Bay View Brew Haus.
For those of you who do not know, The Living Photo Booth Project was Founded in 2010 by Laura Gorzek and myself, with the hopes of providing a live photo booth experience from start to finish. The Living Photo Booth Project is a great addition to any type of party, gathering or event. Give us a theme and we will show up with an appropriate backdrop and box of costumes, take fun photos of you and your guests, and print a take home photographic token on the spot for a small monetary cost.
Keeping the physical world in touch, our mission is to remind the public of the joy of interacting with one another and holding onto a printed photograph in this digital and disconnected world.
You can catch The Living Photo Booth Project at HoverCraft MKE on December 5 at the Bay View Brew Haus.
Thursday, November 11, 2010
Carousel: The Fourth Annual Milwaukee Invitational Slideshow
Tomorrow evening a unique event will be taking place at the Woodland Pattern Book Center. For the fourth year in a row, Naomi Shersty and Carl Bogner will curate an evening of slideshow images/artworks. This years artists include: Emily Litgens, Stephanie Hutin & Florencio Zavala, Jon Horvath, Patrick Wodsinski, Ken Wood, Annushka Peck & Julia Swanson, Renato Umali, and Matthew Rethaber.
When: Friday, November 12 · 7:00pm - 9:00pm
Where: Woodland Pattern Book Center -
720 East Locust Street.
Milwaukee, WI 53212-2547
Cost: $4 at the door - free wine & cookies!
Tuesday, November 9, 2010
It's not the destination, it's the journey...
Today was one of those non-stop 12 hour days that I have been craving for quite some time. To begin the day, I headed to RedLine Milwaukee for the 4th Annual Emerging Arts Leaders Summit presented by Arts Wisconsin. I have always loved summits/conferences because they leave me inspired and ready to create. The topic of today's summit was It's not the destination, it's the journey, which lent itself nicely to the situation I currently find myself in... an artist with a part time job, plenty of ideas brewing, and a few projects in the works. However, the lack of steady income has led me to question whether or not I should continue down this path. Fortunately, the wonderful insights and comments shared by the panel has inspired me to keep plugging away at what I'm doing.
After leaving the summit, I headed to work to make the money to pay for the summit. As an Arts Coordinator for the Zilber Boys & Girls Club, I have the ability to practice teaching the skills I have been developing since I was little. Today I worked on primary and secondary colors with the 1st graders. Some day I will be looking back on this as just a small piece of the larger picture of my journey.
The final event on my agenda was a Professional Development workshop: "Blogging your A.W.E. Project" with Artists Working in Education. For all the times I have refused to sign up for Twitter, Troy Freund really made it seem like a good idea. The next Professional Development workshop with A.W.E. will be on integrating math concepts into art lessons. Based on MPS math scores, I think this workshop will be of particular importance to my art curriculum at Zilber.
After leaving the summit, I headed to work to make the money to pay for the summit. As an Arts Coordinator for the Zilber Boys & Girls Club, I have the ability to practice teaching the skills I have been developing since I was little. Today I worked on primary and secondary colors with the 1st graders. Some day I will be looking back on this as just a small piece of the larger picture of my journey.
Post painting results - an attempt to mix all the colors |
The final event on my agenda was a Professional Development workshop: "Blogging your A.W.E. Project" with Artists Working in Education. For all the times I have refused to sign up for Twitter, Troy Freund really made it seem like a good idea. The next Professional Development workshop with A.W.E. will be on integrating math concepts into art lessons. Based on MPS math scores, I think this workshop will be of particular importance to my art curriculum at Zilber.
Monday, November 8, 2010
From time to time...
Lately, my dad has been telling me that I should take photographs of beautiful things because people actually purchase those types of photographs. Every time he tells me this, I cringe. Why would I want to photograph objects and moments that represent beauty in the most traditional sense? Is this the role of a successful modern day photographer? Why can't I take photographs of things people don't normally associate with beauty and make it beautiful! Wouldn't that be more of a challenge than photographing existing beauty?
Despite these feelings, I still feel compelled to photograph something beautiful from time to time. Sure, I bet another passerby has already snapped this exact photograph, but as a photographer there are just some opportunities you cannot pass up.
Process Art
Process Art, an artistic movement of the mid-1960's, has always been an interest of mine. Process Art is defined as a creative sentiment in which the end product is not the principle focus, and quite often the process is apparent in the end product. I have always found the journey more rewarding than the outcome. All discoveries and new ideas are created along the way.
William Kentridge, a recent feature on Art21, is a man of process. He is best known for his animated films, which are an obvious representation of process. However, William also shows process with his drawings. The constant drawing and erasing marks are apparent, but represent part of his creative process.
William Kentridge, a recent feature on Art21, is a man of process. He is best known for his animated films, which are an obvious representation of process. However, William also shows process with his drawings. The constant drawing and erasing marks are apparent, but represent part of his creative process.
In the Art21 film, william kentridge: anything is possible (2010), William takes the viewers into his world of process. Like any artist, his process is unique. A piece titled "Black Box" caught my attention for its interaction of serious and play. For this piece, Kentridge created a miniature theater with mechanical characters performing behind a screen. The use of miniatures to express serious themes such as war, death, violence, etc. is fascinating to me. Kentridge also invites the viewer to enjoy the process behind the piece by allowing all mechanical aspects to be seen.
Trailer for william kentridge: anything is possible:
(full version can be viewed on Art21 website)
Thursday, November 4, 2010
On a black and white kick...
I've always liked Sally Mann's work, but I suppressed this fondness in my early years of school because it seemed like a cliche admiration seeing as I knew very little of the larger world of fine art photography. After being introduced to new photographers on a daily basis, her work got lost in the mix until junior year, when I began research for my senior thesis. This is when I saw What Remains, a documentary film on one of Sally Mann's recent bodies work and it blew me away!
What Remains was inspired by loss of life and what happens when we pass. Sally's literal interpretation of the topic shows her dedication to exploring this topic without boundaries. Based on this work alone, Sally has returned to the top of my list of all time favorite photographers.
What Remains was inspired by loss of life and what happens when we pass. Sally's literal interpretation of the topic shows her dedication to exploring this topic without boundaries. Based on this work alone, Sally has returned to the top of my list of all time favorite photographers.
Every time I view this work, I regret not taking a large format class in college and I think about how much stronger my work could be.
Wednesday, November 3, 2010
Daydreams.
A few images from a recent trip down south. I wish more of the images turned out the way I saw them through the view finder. That is the last time I take only a Holga with me on vacation.
Sunday, October 31, 2010
History as Art, Art as History
It's been a long weekend of packing, driving, unpacking, packing more, driving more, and unpacking more. My boyfriend and I are almost completely moved in and now I can get back to my daily routine.
First, I would like to comment on Dipti Desai's lecture at UW-Milwaukee as part of the Artists Now! Lecture Series. Dipti's lecture was based on a book that her and two other women wrote: History as Art, Art as History: Contemporary Art and Social Studies Education. Within this pedagogical resource, they discuss the usage of art as a way to teach history and how to look at history through a visual lens.
In her lecture, Dipti highlighted art and history as subjective interpretations of culture and the past, and when looking at either, one must keep the creator/author in mind.
Dipti focused heavily on the role of the modern day artist. Here are a few of her comments:
One of the more interesting topics she brought up was photographs as primary historical documents. In my opinion, this is far from the truth. Even in the early 1900's, photography was being used as propaganda, especially during the war. Photographs were being framed and staged with a certain motive in mind, rather than strictly as historical document. Of course, this is not true to all photographs and photographers, but because it is true of some, how is one suppose to know which ones are real primary historical documents? Would this be a case of art as history or history as art?
First, I would like to comment on Dipti Desai's lecture at UW-Milwaukee as part of the Artists Now! Lecture Series. Dipti's lecture was based on a book that her and two other women wrote: History as Art, Art as History: Contemporary Art and Social Studies Education. Within this pedagogical resource, they discuss the usage of art as a way to teach history and how to look at history through a visual lens.
In her lecture, Dipti highlighted art and history as subjective interpretations of culture and the past, and when looking at either, one must keep the creator/author in mind.
Dipti focused heavily on the role of the modern day artist. Here are a few of her comments:
- Contemporary Artists are interpreters of the past
- Many artists make art only after rigorous historical research
- Artists reframe our understanding of historical research and methods
One of the more interesting topics she brought up was photographs as primary historical documents. In my opinion, this is far from the truth. Even in the early 1900's, photography was being used as propaganda, especially during the war. Photographs were being framed and staged with a certain motive in mind, rather than strictly as historical document. Of course, this is not true to all photographs and photographers, but because it is true of some, how is one suppose to know which ones are real primary historical documents? Would this be a case of art as history or history as art?
Tuesday, October 26, 2010
Artists Now! Lecture Series revisited.
While attending the Peck School of the Arts at the University of Wisconsin-Milwaukee, I was always a fan of the weekly artists lecture series: Artists Now! Guest Lecture Series, which featured artists such as Nick Cave, Faythe Levine, Betsy Damon, Nathanial Stern, and Paul Berger. However, I admit that ever since graduation I have failed to take advantage of this great, not to mention free, resource until now!
Tomorrow evening, the lecture series will feature Dipti Desai, an Associate Professor of Art and Art Education at New York University. In this lecture, Desai will explore the historical methods used by contemporary artists in order to understand the past and the ways this might inform how we teach history and art in schools. She sees art for more than its visual qualities, and recognizes the connection art has to social, cultural and historical processes in society.
Desai received both her M.A. and Ph.D. from University of Wisconsin-Madison, but has also studied at Columbia University and Diploma National Institute of Design in India. She has taught art and art history all over the world and is currently the Senior Editor for the Journal of Cultural Research in Art Education.
All lectures take place at 7pm in the Arts Center Lecture Hall on the UWM campus. FREE and open to the public.
Tomorrow evening, the lecture series will feature Dipti Desai, an Associate Professor of Art and Art Education at New York University. In this lecture, Desai will explore the historical methods used by contemporary artists in order to understand the past and the ways this might inform how we teach history and art in schools. She sees art for more than its visual qualities, and recognizes the connection art has to social, cultural and historical processes in society.
Desai received both her M.A. and Ph.D. from University of Wisconsin-Madison, but has also studied at Columbia University and Diploma National Institute of Design in India. She has taught art and art history all over the world and is currently the Senior Editor for the Journal of Cultural Research in Art Education.
All lectures take place at 7pm in the Arts Center Lecture Hall on the UWM campus. FREE and open to the public.
Saturday, October 23, 2010
Simple delights.
At breakfast this morning, a few friends and I discussed our delight in rainy weather. I found it appropriate to post a photograph that I took in a small town along the Menomonee River earlier this fall. There is nothing more serene than the gentle sound of light rain on a quiet river.
Shot with my Mamiya 645E, Provia 100F Film |
Friday, October 22, 2010
Duarte Amaral Netto
Filipa. 2007 | 46 x 60 cm |
Na relva depois do almoço | 110 x 142 cm |
Labels:
Duarte Amaral Netto,
lost and fading memories,
Many
Tuesday, October 19, 2010
a Gallery Night review...
The next show on the list was Clemens Weiss at RedLine Milwaukee. Based on the press image (which I posted in my Gallery Night Guide post) and show description, I was expecting a body of polished drawings heavily influenced by writings of some sort. To my surprise, the drawings were expressive and raw, and most of which were displayed in handmade frames with handmade mattes. The writing aspect was nicely incorporated with newspaper articles and hand written text. The newspaper articles were used as mattes in some cases. The interaction of handmade elements and raw, expression drawings brought an emotional connection to the audience.
My last stop of the evening was the Milwaukee Art Museum for RunUp to the Runway. Here, Shannon Molter and Miranda Levy teamed up for a third time to show their latest couture designs. Shannon's work had such beautiful, intricate design elements, but much of that was lost when viewed from the standing section. I can only imagine how great it looked from the front row. In contrast, Miranda's line was a very simple, yet cohesive body of work. The over-sized elements and drastic cuts were a great reflection of her influence, Metropolis by Fritz Lang.
Work by Miranda K Levy |
Monday, October 18, 2010
Floating through the afternoons.
Today reminded me of fall 2005. It was the perfect day for drinking hot apple cider, wearing a hoodie, and crunching leaves under my shoes.
when it is over - archival inkjet print - 2010
Friday, October 15, 2010
My guide to Gallery Night - October 2010
Since I missed the summer Gallery Night, I am more than excited to embark on an evening of art adventures throughout Milwaukee.
Work by Clemens Weiss |
First, I will be stopping at RedLine Milwaukee to view the work of Clemens Weiss. New York City based, German born artist/philosopher Clemens Weiss exhibits extensively through Europe and the United States. His work moves from writing to drawing to sculpture, pushing viewers from merely seeing to real thinking. This Exhibition begins Clemens' two-month visiting residency at RedLine.
Studio 420b is next on the agenda. Here, a friend of mine, Sean Bodley, will be displaying new paintings along side drawings and paintings by Mark David Gray, Steve Luban, and Lindsay Marx. Urban art by Fred Kames and Kari Borchert.
Work by Harvey Opgenorth |
My last stop before heading to the Milwaukee Art Museum for MAM After Dark will be at Inova, the Institute for Visual Arts at the UWM Peck School of Visual Arts. Artists Peter Barrickman and Harvey Opgenorth (Established) and Kimberly Miller and John Riepenhoff (Emerging) report in a year after being selected as 2009 Nohl Fellows as part of the Greater Milwaukee Foundation's Mary L. Nohl Fellowships for Individual Artists program. The exhibition brings together new work in a range of media by four of Greater Milwaukee's most talented established and emerging artists.
As my final stop of the evening, I will make my way to the Milwaukee Art Museum for MAM After Dark: RunUp to the Runway. Two fellow UWM Peck School of the Arts Alum's, Shannon Molter and Miranda Levy, will be showcasing their individual couture designs for their third RunUp event together. I am excited to see what they have been working on for the past few months because they never cease to amaze me. Recently, I saw a sneak peek of what Miranda is working on and I must admit that I was quite impressed at how much she has grown as a designer since her first RunUp event. Good luck ladies!!
As my final stop of the evening, I will make my way to the Milwaukee Art Museum for MAM After Dark: RunUp to the Runway. Two fellow UWM Peck School of the Arts Alum's, Shannon Molter and Miranda Levy, will be showcasing their individual couture designs for their third RunUp event together. I am excited to see what they have been working on for the past few months because they never cease to amaze me. Recently, I saw a sneak peek of what Miranda is working on and I must admit that I was quite impressed at how much she has grown as a designer since her first RunUp event. Good luck ladies!!
Thursday, October 14, 2010
Kick in the Grass Arts & Crafts Fair!
I will be spending my weekend with other Southeastern Wisconsin artists and crafters at the Kick in the Grass Arts & Craft Fair. As a long time soccer enthusiast and player, I am excited to spend my weekend on the fields of the Uihlein Indoor Soccer Park, home of the Milwaukee Kickers. Feel free to stop by... Saturday and Sunday from 10-4pm, admission is free!
Here is an example of an item I will be selling (additional colors are available):
Other items for sale include the popular knitted circle scarf (not pictured above) and arm warmers.
Monday, October 11, 2010
Anything but traditional...
Last night Laura Gorzek and I had the honor of running a photo booth at Heroes in the Night : Inside the Real Life Superhero book publishing benefit. It was our trial run at doing a nontraditional photo booth, and we succeeded! We raised money for the book publishing and had a great time doing so.
Check out the rest of our photographs on Laura's flickr.
Labels:
Heros in the Night,
Laura Gorzek,
photobooth
Saturday, October 9, 2010
Two for the Road blog
For a while now I have been following Two for the Road, a blog that takes two images from flickr and places them side by side as an experiment based on the similarities that can be found when photos are presented this way. I enjoy the pairing choices made by James Turnley, especially when the photographs appear very similar, but convey contrasting messages. Artists are invited to submit their work via flickr or email.
A lovely example...
A lovely example...
Thursday, October 7, 2010
and so the fun begins...
Today was a long day, but it was one of those that flies by and helps you sleep through the night. The best part by far was starting a six week grant writing course at Alverno College. Grants have always intrigued and intimidated me, but I think it is time I learn how to tackle them, not only for my sake, but for the sake of Guildess.
Although this photograph was taken during the summer,
it reminds me of how the sun felt on my face today.
North Star Camp, Summer 2009
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